French Ormolu & Mother-of-Pearl Easel Mirror with Interchangeable Miniature, c. 1880–1890
This luxurious tabletop mirror exemplifies the ingenuity of late 19th-century French design, doubling as a portrait easel. The gilt bronze frame is richly ornamented with acanthus and laurel detailing, crowned by twin cherubs and a central floral cartouche. Resting on scrolling griffin feet, the uprights are clad in iridescent mother-of-pearl, creating an exquisite contrast to the warm ormolu.
It retains both its original beveled glass mirror and a hand-painted miniature portrait of a lady in blue, likely watercolor on ivory or card. Pieces of this caliber were retailed in the finest Parisian ateliers such as Tahan or Giroux, and graced the dressing tables of fashionable women of the Belle Époque.
Details:
• France, circa 1880–1890
• Gilt bronze, mother-of-pearl, beveled mirror & watercolor miniature
• Dual-function easel mirror / portrait frame
• Excellent antique condition; light age toning only
By the mid-19th century, the toilette — a lady’s dressing ritual — became a symbol of refinement, privacy, and status. Parisian artisans began designing small “cheval mirrors” (literally “horse mirrors,” named for their standing frame) that could sit upon a dressing table. These were often made to tilt, like full-sized cheval mirrors, and were lavishly decorated to reflect their owner’s taste and wealth.
French Ormolu & Mother-of-Pearl Easel Mirror with Interchangeable Miniature, c. 1880–1890
This luxurious tabletop mirror exemplifies the ingenuity of late 19th-century French design, doubling as a portrait easel. The gilt bronze frame is richly ornamented with acanthus and laurel detailing, crowned by twin cherubs and a central floral cartouche. Resting on scrolling griffin feet, the uprights are clad in iridescent mother-of-pearl, creating an exquisite contrast to the warm ormolu.
It retains both its original beveled glass mirror and a hand-painted miniature portrait of a lady in blue, likely watercolor on ivory or card. Pieces of this caliber were retailed in the finest Parisian ateliers such as Tahan or Giroux, and graced the dressing tables of fashionable women of the Belle Époque.
Details:
• France, circa 1880–1890
• Gilt bronze, mother-of-pearl, beveled mirror & watercolor miniature
• Dual-function easel mirror / portrait frame
• Excellent antique condition; light age toning only
By the mid-19th century, the toilette — a lady’s dressing ritual — became a symbol of refinement, privacy, and status. Parisian artisans began designing small “cheval mirrors” (literally “horse mirrors,” named for their standing frame) that could sit upon a dressing table. These were often made to tilt, like full-sized cheval mirrors, and were lavishly decorated to reflect their owner’s taste and wealth.