A beautifully cohesive pair of French coastal landscape oil paintings, each signed and dated, spanning the late 19th to early 20th century and capturing two distinct moments along the French coastline.
Measures approximately 16 inches x 11 inches each
The first, dated 1892 and signed J. Manguant, is inscribed on the reverse “13 août Étables, sous la chapelle,” placing it firmly in Étables along the Brittany coast. Painted en plein air, it captures a quiet shoreline with rocky terrain and soft, diffused coastal light. The brushwork is loose and observational, focusing on atmosphere rather than detail.
The second, dated August 1909 and signed J. Manigaut, depicts the iconic cliffs of Étretat in Normandy, a location long associated with artists drawn to its dramatic formations and shifting light. The composition is warm and grounded, with subtle sailboats along the horizon and a soft, atmospheric sky.
Together, these works reflect the continued tradition of plein air coastal painting in France, where artists worked directly from life to capture specific places, dates, and conditions. The inscriptions on the reverse of both paintings anchor them to real locations and moments in time, adding depth and authenticity.
Though created years apart, they complement each other beautifully — one quieter and more intimate, the other slightly more expansive — making them an ideal pairing for display.
Both are housed in period appropriate wood frames that enhance their natural palettes.
France, 1892 and 1909.
A thoughtful and atmospheric pair that brings a sense of place, history, and continuity into a space.
Condition
Both paintings in good antique condition. Light surface wear consistent with age. Frames show expected wear but present well.
A beautifully cohesive pair of French coastal landscape oil paintings, each signed and dated, spanning the late 19th to early 20th century and capturing two distinct moments along the French coastline.
Measures approximately 16 inches x 11 inches each
The first, dated 1892 and signed J. Manguant, is inscribed on the reverse “13 août Étables, sous la chapelle,” placing it firmly in Étables along the Brittany coast. Painted en plein air, it captures a quiet shoreline with rocky terrain and soft, diffused coastal light. The brushwork is loose and observational, focusing on atmosphere rather than detail.
The second, dated August 1909 and signed J. Manigaut, depicts the iconic cliffs of Étretat in Normandy, a location long associated with artists drawn to its dramatic formations and shifting light. The composition is warm and grounded, with subtle sailboats along the horizon and a soft, atmospheric sky.
Together, these works reflect the continued tradition of plein air coastal painting in France, where artists worked directly from life to capture specific places, dates, and conditions. The inscriptions on the reverse of both paintings anchor them to real locations and moments in time, adding depth and authenticity.
Though created years apart, they complement each other beautifully — one quieter and more intimate, the other slightly more expansive — making them an ideal pairing for display.
Both are housed in period appropriate wood frames that enhance their natural palettes.
France, 1892 and 1909.
A thoughtful and atmospheric pair that brings a sense of place, history, and continuity into a space.
Condition
Both paintings in good antique condition. Light surface wear consistent with age. Frames show expected wear but present well.